Life, Loss, and my Dog

Shall we talk of loss kindly and politely as though these things happen all the time, as often as tying shoes and drinking water? Shall we try to bring loss into form when it is the absence of form, the disappearance of form, replaced by a hollow that nonetheless has its own sound, a slack key guitar twang or tremolo of a loon or ache of a squeaking gate to a chamber next to your heart? We relearn the location of our heart with every loss, every major loss, the ones that rise above noise level, the ones that remain open and enhance the purple of hyacinth in May and sunsets in October. 

Yes, let us talk of such losses politely and with poise.  

My dog has had a sudden spike in the negative indicators of his chronic kidney disease. I measure the wobbles of today against yesterday. I entice him with salmon hidden under ground chicken thighs and rice. Just please eat. Please eat. He still prances when he walks. He will be with me as long as he is happy, and he is still happy, but how did that expectation go from years to months?

My friends’ friends are dropping like flies. Mostly people I do not know. 

We are in a sieve. People slip through the holes, making room for the next ones. Gravity is persistent and greedy as it cleans the slate–pulling babies into the world, giving goodness ongoing chances, eliciting poetry, song, and dance. It pulls us from origin and returns us.

If there is a time to come to terms with the rounding of organic life from beginning to end, to make sense of it, to accept it, old age is our last chance. 

Poise, hard learned over time, helps us not to panic, not to scream, not to complain, but to accept—helps us say “Well, that was a helluva thing, wasn’t it?” Helps us say, “Glad I was here.” 

When we recognize there was no reason for us to exist at all, but that we were made nonetheless and allowed to flounder, squirm, love, breed, and give, and discover that whatever that didn’t need to make us did make us, and loves us in its own way, then we can hold the whole of being loved and feeling loved against the shortness of living, the violence, horrors, devastation, cruelty, losses. 

When we can hold love and joy and surprise, and wonder and amazement against a sort of in-born rot of ignorance, greed, and arrogance, then we can feel our place as carriers of the immensity, then we know we have had our turn. 

When we can say “I understand little but know I am in the presence of a nameless force that makes flowers and welcomes poetry,” we can yield. We can yield to continual loss that is, in fact, a filling of the story of our lives and a gaining of what it is like to live. 

My dog is barking at a delivery man, not so loudly as before, not throwing himself against the door, but barking nonetheless—barking in the way I would have always preferred, though not at this cost. 

He does not think of these things, but pushes himself against me and allows me to nuzzle my face in his fuzzy ears in ways that are new. He stares at me and yields.

We will do this beautifully, my Phoenix. I promise.


How My Mother Showed Love: My dolls’ wardrobes

My mother had the farmhouse door painted red, a protest to something though as a child I did not understand what. She also planted one Oriental poppy and nursed it through several seasons of Iowa winters. They were the same red, both testifying “I promised myself I’d never marry a farmer.”

I too was her proof of being special. What she could not reveal of herself, the world would see through the brain and beauty and poise of her daughter. She believed in genes and hated being underestimated. She had sold apples on the street corner during the depression as classmates walked by on their way to school.  

The house was not a typical white wooden farmhouse with creaks and openings around the windows and doors. It had wooden floors, but they were narrow slats of prime grade oak fit together as tight as Puritan’s lips.

The house was a top-of-the-line Sears prefab house built by a man from Minnesota who invested in Texas oil and wanted to live out his life on an Iowa farm. Seems he invested in the only spot in Texas without oil. Before he ever lived in the house, it was foreclosed to people who put a potbellied stove in the middle of the living room. 

The house was stucco with leaded windows, built-in china cabinets, and a solarium. My mother, in a misguided attempt to be modern, bastardized it with fleur-de-lys Wall-tex and blonde Swedish furniture. The ceilings were lowered with acoustic tiles, the copper chandelier replaced by a Nordic thing of teak.  

I, the child, cringed for myself and the house. 

I look now for the ways she showed love for me, and it is difficult unless I go inside her and feel the trap that held her from affection. Then I understand, then she is young, then she is lost, then she is determination, then she is a 20-year-old teacher in one room school houses who drove up a 1/4 mile lane to ask directions and saw a young man asleep in the yard after lunch and before returning to farm work. She felt ugly and saw a handsome man in the grass. 

Now, old enough to be her grandmother, I look for ways in which she showed love for me. She took her talent for sewing and knitting, and created cloths for me that made those bought in stores for the town children look second-hand. Still, I longed for store-bought clothes in their bright colors and round skirts. My fine clothes made me stand out.

She took her talent for sewing and knitting into creating whole wardrobes for my dolls— precursors of Barbie and much more beautiful. She made skating outfits, skiing outfits, Dutch girl outfits, cheerleader outfits, and a wedding dress with lace and net. They are now with her great-granddaughter and only slightly the less for time and wear. 

She took her talent for sewing and knitting into matching ensembles for me of wool skirts and intricate sweaters that made me stand out in college in ways that set me apart and that I liked. By then, I appreciated them and wondered, as I do now, at her craftsmen. 

My closet has jackets she made for herself, some with false labels of designer fashions—one in thick golden wool labeled Dior.

Who was this woman who knew clothes, who needed an Oriental poppy, who painted the door red, who scaped decades of shellac off the oak floor, the cabinets, the window seats, and stairs, but had no sense of interior design or art. The woman who made sure I got contact lenses when the town girls did because we were not less than them. The woman who did not allow me dance lessons but made sure I had piano lessons from the time I was eight. 

I ask myself, how did she show me love that was not tied to showing me off? I remember no hugs, no sweet touch, no “I love you.” That is because there were none. The trap inside her, the fear of touch, the possible coming undone of showing love. 

I remember the ski poles that went with the skiing outfit, the skates that went with the skating outfits, I remember the skating outfit itself knit in yellow with fuzzy baby blue trim and matching cap. I remember the wooden Dutch girl clogs. I remember the skiing pants in deep blue and the top in deep red with gold double-vested buttons down the front. 

I never learned to ski or ice skate, but she dreamed something, and made it for me. 

Knowing that is not quite enough, but knowing that and now being able to feel inside of her—the strictures, the determination against insecurity and feeling ugly, her resentment towards her mother for making her tend the five younger and more adored children—her resignation to being a farmer’s wife. Those two are enough. I shelter her in my arms across time.

I escaped. I think she wanted me to. 

End of our World: This is not a time to be stupid

Formation of earth—explosion, fire, water to land, hot core, first ferns, beginning of eyes, of seeing, hearing, knowing—to humanoids arriving in the last sliver of a 10-foot-long timeline or last millisecond of since forever. Yet, this truth never convinces us how wispy we are. After all, we tickled out the timelines. We are the culmination, where the timeline always intended to go. We are creatures that know we know.

Years ago in Davos, Switzerland I heard a woman crow that her astrophysicist husband had done the math and it is impossible that advanced life exists anywhere else in the cosmos. Please, if you’re going to be stupid, do it on your own merit, don’t borrow from someone else. 

But we are all delusional. We may read timelines but know nothing of what was before. We may split atoms, chart elements, discover there are no smudges, only separate units going infinitely into minutia and infinity. We may study weak and strong forces, gravity, magnetism, inertia, and pheromones, but we only learn what they do, not why they do it. 

  It’s easy to believe something really really weird is real, but hard to think how it could be.–7-year-old girl

We resist the bald truth that there seems to be no reason for us, that we may exist only because we can and the value of our lives is a construct of evolution that we should be happy and reproduce–or seek happiness and therefore reproduce. We resist it by creating myths that are not nearly so interesting.

  Tell me, what is it you plan to do with your one wild and precious life?—Mary Oliver 

The chill is still on for this spring. I sit inside by a fire with my dog beside me. I pet him behind his ears as we stare at flames as humans and gentler wolves have always done. Fire has been fire since the beginning of the timeline—atoms vibrate off each other faster and faster, faster than local gossip, faster than lust, touching our skin, our hopes, our tomorrows, taming and recharging us. 

There is nothing of his ancestors in my dog that I can see, his killer instinct limited to barking over his weight class and slamming himself against the door when men in uniform deliver packages or other dogs intrude on his territory. He is fed from cans supplemented by home-cooked basmati rice with ground chicken or turkey. He can carry a grudge but only for a little time. He is getting older and sometimes wobbles. I worry. A lot.

  A dog is one of the few things in life that is as it seems.—Mark J. Asher

You and I may never see hard evidence of complex life elsewhere in the universe, but we know that whatever created light and dogs isn’t going to stop with us. Whatever expands, creates, and melds substance with wave and intent is not going to stop now. 

If we demolish earth as a home for complex organisms, the universe will not care. We are a millisecond, a sliver. We will be hopped over for millennia until another life form emerges, new creatures that believe they know what they know. Perhaps they actually will, perhaps they will be kinder than we have been. 

God, I think, is what is alive in us. God is life—balance, rhythm, stop and start, nectar for bees, seeds for birds, buds for blooms. She is nesting, reproduction, line and form against line and form. She is what is physical and what is beyond physical, the transference from fire to air to face. She is movement, orbs, attraction, spinning atoms, laughter at strange times out of nowhere. 

Evolution will continue if we knock ourselves out of the running. Life does not need humans.

  Unless someone like you cares a whole awful lot, it’s not going to get better. It’s not.—The Lorax

We are a creative, beguiling, and misguided millisecond. If we wish for more than that, we can no longer be stupid on our own or borrowed from others.